Lately, she has been drawn to objects and ideas that accumulate time as tension, then release it without warning. This force echoes across seismic events, in the slow violence of exhausted ecosystems, and in signals that arrive late but hit hard.
She thinks about this in relation to the notion of wrathful compassion in tantric Buddhism, where destruction functions not as moral conclusion, but as interruption: an alert, a forced exit from the comfort of repetition. Her recent works often takes the form of writing and sound installation.
樊婧哲 Jingzhe Ginger Fan (2002，中国北京) 出生在惊蛰。她的作品多以声音与影像装置呈现，常借用频率、干扰与物理震动作为材料。她关心压力如何潜伏与聚积，并最终释放为地壳的断裂、生态的耗竭，延迟而尖锐的信号。
她的近期实践将佛教中的“忿怒慈悲”与这种能量的释放并置：破坏不是终点，而是一道裂口与警示。她通过声音、文字与物品营造生成性的场域，使作品彼此交织成临时的生态系统，而非独立的事件。
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